Royal Saxon 8th Field Artillery Regiment No. 78 - To Our Fallen - Kamenz 1922
This Meissen Böttger medallion of the Royal Saxon 8th Field Artillery Regiment No. 78 represents a significant testament to German military history and commemorative culture during the interwar period. With a diameter of 38 mm and the inscription “To Our Fallen - Kamenz 1922,” it exemplifies the memorial traditions of Saxon military units following World War I.
The 8th Field Artillery Regiment No. 78 was part of the proud Saxon military tradition within the German Empire. The Saxon Army, although integrated into the Prussian-German military structure since 1867, maintained its own traditions, uniforms, and regimental structures. During World War I, the regiment served on various fronts and, like most German units, suffered considerable losses.
The use of Böttger stoneware from Meissen for this commemorative medallion holds particular cultural-historical significance. In the early 18th century, Johann Friedrich Böttger successfully invented European hard-paste porcelain in Meissen, making the State Porcelain Manufactory Meissen the oldest porcelain manufacturer in Europe. The characteristic reddish-brown Böttger stoneware, developed before the actual invention of porcelain, remained a valued material for artistic objects.
Following the end of World War I in 1918 and the dissolution of the Imperial Army, Germany developed a pronounced culture of fallen soldiers' commemoration. Veterans' associations, former regiment members, and garrison towns erected monuments, organized memorial ceremonies, and commissioned commemorative objects. This medallion from 1922 fits into this tradition and demonstrates how former regiment members honored their fallen comrades.
Kamenz, a town in Saxon Upper Lusatia, apparently played an important role for the regiment or its traditional association. The town was known as a garrison town and maintained close ties with the Saxon Army. The date of 1922 suggests that four years after the war's end, a formal commemoration or monument dedication took place, during which these medallions were likely issued or sold.
The years following 1918 were a time of disorientation and loss for former soldiers in Germany. The defeat, revolution, and abolition of the monarchy had swept away the old order. Veterans' associations and traditional societies provided a space for community and enabled the processing of war experiences and the honoring of fallen comrades without evaluating the political circumstances of the war.
Medallions and plaques made from Meissen porcelain or Böttger stoneware were an established tradition in Saxony. Since the 19th century, the manufactory had produced commemorative medallions, jubilee pieces, and military decorations. The quality and cultural value of Meissen products gave such commemorative items special appreciation.
The phrase “To Our Fallen” was typical of the commemorative culture of the time. It expressed solidarity and comradeship without glorifying tones or revanchist sentiments. This form of remembrance differed from later, politically charged memorial forms of the Nazi era.
The 8th Field Artillery Regiment No. 78 belonged to the 14th Division of the VII Army Corps of the Saxon Army. During World War I, the regiment fought on the Western Front and later at other theaters of war. The precise loss statistics of Saxon regiments reveal the extent of the tragedy: thousands of young men never returned to their hometowns.
Such commemorative medallions served multiple purposes: they were mementos for veterans and relatives, they often financed monument projects, and they strengthened the cohesion among former regiment members. At the same time, they document the local and regional commemorative culture of the Weimar Republic.
Today, these medallions are important historical sources for researching commemorative culture after World War I. They show how different social groups dealt with loss and trauma and how military traditions were maintained in the democratic republic. The connection between military commemoration and high-quality Saxon craftsmanship makes these objects significant cultural-historical witnesses.